Five Minute Friday :: Sustain

• Five Minute Friday :: Sustain Linkup

What has sustained me all these bleak years?

Getting out of bed a half hour before first light and watching another new day gracefully make its way onto the world. Trying to relocate myself in better illuminated settings from my past. Can I replicate some form of those here and now? Admitting I've still been hitting a few balls out of the park over these many seasons. Despite everything.

Re-membering: bringing back together; again forming a whole from scattered parts. Dreaming. Can the future be an updated version of those parts when they still were whole, before they cracked and scattered?

This is earthquake country. Before I visited the new David Geffen Galleries at LACMA last Tuesday, I read about the project. Probably related to moment skyscraper and high rise construction that bends in an earthquake or a storm so it doesn't crack and break, the entire new museum wing can bend and extend five feet.

I may have mentioned a friend's comment that a mutual acquaintance is "very establishment," without adding a negative or a positive interpretation. They simply are. I'm still "very Y2K." That means I've experienced 911, the Great Recession that my economics degree insists qualified as another Great Depression, the Covid pandemic, the January 6 insurrection, and a long series of shipwrecks and disappointments in my own life. Along with the rest of my population cohort, I've survived global and individual assaults, so a return of anything Y2K-ish will present itself differently from the original.

Have I learned to bend in the storms and earthquakes? Yes. More by necessity than by intention. Have I cracked and broken? Or have I bent?

At my church in Previous City, during the offerings of bread, wine, and tithes, as they set the Eucharistic Table we'd sing from Psalm 116:

What shall I render to the Lord for all his benefits to me?
I will offer the sacrifice of thanksgiving and will call on the name of the Lord.
I will take the cup of salvation and call on the name of the Lord.
I will pay my vows to the Lord now in the presence of all his people,
in the courts of the Lord's house, in the midst of you, O Jerusalem.

God invites me and everyone to the feast! "Jesus Christ, the bread of life; Jesus Christ, the cup of salvation!"

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David Geffen Galleries at LACMA

• My Tuesday day off this week was especially bloggable because I visited the new David Geffen Galleries at LACMA. Due to an afternoon private event, everyone had to leave LACMA at 2, so most likely I'll go back on the free second Tuesday in June. The Miracle Mile location features three museums; I recently read Los Angeles has the most museums per capita of any city in the world!!!

• Alexander Calder designed this poster when LACMA's Wilshire Boulevard location opened in 1965.

• Looking southwest at the Petersen Automotive Museum

• On the right you can see the dome of the Academy Museum of Motion Pictures. When I visited there not long after it opened, everyone had to show a vaccination card. Besides the museum, my January 2022 rundown includes Float Fest the day after the Rose Parade, and a small selection of the many pictures I got at the [LA River] Sepulveda Basin Wildlife Preserve the last Sunday of the month.

• Urban Light by Chris Burden

• At the Geffen Galleries

• Three favorite paintings in the Geffen Galleries:

• Lane Barden, [Los Angeles River] View from the 7th Street Bridge, 2018

• Granville Redmond, California Poppy Field [detail], circa 1926

• Henri Matisse, La Gerbe (The Sheaf), 1953

• At the Jack in the Box near LACMA I sprung for a favorite lunch combination—customized Chicken Sandwich, French Fries, and Diet Coke.

• Hazelnut Frappe at the Coffee Bean & Tea Leaf that moved a few blocks west from the busy noisy Wilshire and Vermont location I used to visit when I first came to LA. Mature green trees surround and shade the store at Wilshire and Mariposa.

Artplex Gallery

• Artplex Gallery was my art-focused activity for Tuesday the 5th of May. it's a sort of commercial space because you can purchase any of the art works, and it nicely meets their "Discover Contemporary Art Beyond the Ordinary" tagline.

• Flower study 1 • Sally West

• Perched on the Tree of Life • Jennyfer Stratman

• A Design for Life • Jonjo Elliott

• Soft Daylight • Frederic Paul

• Flowers on Tuesday • Sally West

• One Day • Sally West

• Enchantment • Alessandro Casetti

• In the Above • Jeff Faust

• After the Storm • Jeff Faust

• Settling Into Dusk • Steven Nederveen

• Sooey • Kyle Paliotto

• Pale Green Dream • Taking Root II • Peter Kuttner

• The Frequency Of A Loving Heart • Amadou Opa Bathily

• Breaking News • Amadou Opa Bathily

• Sunny Beach Days • Elizabeth Lagreiters

• Mid-Hudson Inscape • Bruce Rubenstein

• Ultramarine • Kate Tova

• Tuesday was Cinco de Mayo but I opted for Tuna Tuesday at Subway. I'd planned to get a frappe afterwards, but Boba Time was closed again. Short staffed? Maybe, because they'd been advertising help wanted.

Five Minute Friday :: Beginning

• Five Minute Friday :: Beginning Linkup

Have you heard the phrase, "every ending also is a beginning?" It would take eons to scroll through the years of your life and show how sometimes that was true, other times it was a loud false because a particular ending marked the conclusion of…? A pain-filled situation you couldn't wait to be rid of, or a glorious phase filled with achievement, support, and wonder. Some endings make space for new beginnings that otherwise couldn't be; other endings mean emptiness and heartbreak.

Like too many in this economy, I tell people I'm "between lives," meaning I consider myself in a transitional time between an established routine of employment, housing, and connections and (ideally) some of the same in the future. Most of us "between lives" people are working at other than our ideal job or the career we thought we were preparing for. Most of us probably are in temporary style housing and not in a place with a mortgage or a long-term lease, unless someone else holds the mortgage or the lease and we're renting from them.

I wrote that introduction because all of us between lives people can't stay there forever, although I'll admit it has a degree of comfort. Unsettled yet comfortable? Mostly because of meeting and commiserating with many many many others who truly get it.

How. Some. Ever. We need to figure out what it will take and how we will get to a serious new beginning. That new start probably will entail ending aspects of between-ness, so in that case, a particular ending is essential for a beginning.

The end of between lives may be a little bit bitter with a touch of sweetness. Have I ever mentioned how much I love the thrill of the chase? That I do, but this one has gotten very old. I'm ready to settle, not for less than I need or deserve—I'm ready to settle down again. The end of "between lives" had better make room for an excellent new beginning.

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Celebrating Live on Easter 5!

Live at The Amen Jubilee!

1 we gather at the font
2 death has no more dominion
3 glory praise
4 listening, hearing, being
5 we give thee of thine own
6 broken and shed
7 we gather at the welcome table
8 thankful praise
9 jubilee, amen!

"The land shall not be sold in perpetuity, for the land is mine;
you are but aliens and sojourners with me.
You shall grant redemption of the land of your possession."
Leviticus 25:23-24

April 2026

• On Tuesday the 7th, I visited the Vincent Price Museum and especially enjoyed art by Ofelia Esparza.

• The Los Angeles River on Tuesday the 14th

• Earth Day 2026 • Our Power :: Our Planet :: two versions of the same design

• Street Art Tuesday on the 21st

• On the last Tuesday of the month, another Santa Monica Lunch and the Armand Hammer Museum again. There were two new exhibits since my last visit.

• Space is the Place: Selections from the Hammer Contemporary Collection

• From the website instead of linking to it because Space Is the Place ends early September:

Space is the Place takes its title from the 1973 studio album and 1974 film by Sun Ra (1914-1993). The selected works in the exhibition consider "space" as a conceptual framework, through the themes of afro-futurism, belonging, placemaking, and the act of taking up space [The display] comprises installations, paintings, sculptures, photographs, and multi-media works by nearly thirty artists.

• Several Eternities in a Day: Form in the Age of Living Materials
• Act 1: Breathing, Bleeding, Crumbling Form
• Act II: Cosmic Abstraction and Communal Form
• Act II: Clay

• From the museum website:

Twenty-two artists from North, Central, and South America who embrace the unpredictable nature of living materials. These artists use materials such as avocado, cacao, achiote, cochineal, stone, clay, and natural dyes to create large-scale installations, paintings, works on paper, and mixed-media sculpture. They are rooted in the spirit, memory, and knowledge of Brown and Indigenous worlds … as records of the living and repositories of cosmic memory, organic decay and transformation.

Have I ever mentioned the commentaries from the Hammer Museum are beyond pretentious? Well, they are.